The word "Religion" may be, and has been, employed in many different senses, and with a perplexing width of significance. No attempt to define the word is likely to be quite satisfactory, but almost any definition may serve the purpose of an argument, if the writer who employs it states his meaning frankly and adheres to it steadily. An example of the confusions which may arise from the use of the term "religion" is familiar to students. Dr. J. D. Lang wrote concerning the native races of Australia: "They have nothing whatever of the character of religion, or of religious observances, to distinguish them from the beasts that perish". Yet in the same book Dr. Lang published evidence assigning to the natives belief in "Turramullun, the chief of demons, who is the author of disease, mischief and wisdom". The belief in a superhuman author of "disease, mischief and wisdom" is certainly a religious belief not conspicuously held by "the beasts"; yet all religion was denied to the Australians by the very author who prints (in however erroneous a style) an account of part of their creed. This writer merely inherited the old missionary habit of speaking about the god of a non-Christian people as a "demon" or an "evil spirit". As "a minimum definition of religion," Mr. Tylor has suggested "the belief in spiritual beings". Against this it may be urged that, while we have no definite certainty that any race of men is destitute of belief in spiritual beings, yet certain moral and creative deities of low races do not seem to be envisaged as "spiritual" at all... For these reasons we propose (merely for the purpose of the present work) to define religion as the belief in a primal being, a Maker, undying, usually moral, without denying that the belief in spiritual beings, even if immoral, may be styled religious. Our definition is expressly framed for the purpose of the argument, because that argument endeavours to bring into view the essential conflict between religion and myth. We intend to show that this conflict between the religious and the mythical conception is present, not only (where it has been universally recognised) in the faiths of the ancient civilised peoples, as in Greece, Rome, India and Egypt, but also in the ideas of the lowest known savages. It may, of course, be argued that the belief in Creator is itself a myth. However that may be, the attitude of awe, and of moral obedience, in face of such a supposed being, is religious in the sense of the Christian religion, whereas the fabrication of fanciful, humorous, and wildly irrational fables about that being, or others, is essentially mythical in the ordinary significance of that word, though not absent from popular Christianity. Now, the whole crux and puzzle of mythology is, "Why, having attained (in whatever way) to a belief in an undying guardian, 'Master of Life,' did mankind set to work to evolve a chronique scandaleuse about HIM? And why is that chronique the elaborately absurd set of legends which we find in all mythologies?" In answering, or trying to answer, these questions, we cannot go behind the beliefs of the races now most immersed in savage ignorance. About the psychology of races yet more undeveloped we can have no historical knowledge. Among the lowest known tribes we usually find, just as in ancient Greece, the belief in a deathless "Father," "Master," "Maker," and also the crowd of humorous, obscene, fanciful myths which are in flagrant contradiction with the religious character of that belief. That belief is what we call rational, and even elevated. The myths, on the other hand, are what we call irrational and debasing...For the present, we can only say that the religious conception uprises from the human intellect in one mood, that of earnest contemplation and submission: while the mythical ideas uprise from another mood, that of playful and erratic fancy. These two moods are conspicuous even in Christianity. The former, that of earnest and submissive contemplation, declares itself in prayers, hymns, and "the dim religious light" of cathedrals. The second mood, that of playful and erratic fancy, is conspicuous in the buffoonery of Miracle Plays, in Marchen, these burlesque popular tales about our Lord and the Apostles, and in the hideous and grotesque sculptures on sacred edifices. The two moods are present, and in conflict, through the whole religious history of the human race. They stand as near each other, and as far apart, as Love and Lust. All early attempts at an interpretation of mythology are so many efforts to explain the myths on some principle which shall seem not unreasonable to men living at the time of the explanation. Therefore the pious remonstrances and the forced constructions of early thinkers like Xenophanes, of poets like Pindar, of all ancient Homeric scholars and Pagan apologists, from Theagenes of Rhegium (525 B. C.), the early Homeric commentator, to Porphyry, almost the last of the heathen philosophers, are so many proofs that to Greece, as soon as she had a reflective literature, the myths of Greece seemed impious and IRRATIONAL. The essays of the native commentators on the Veda, in the same way, are endeavours to put into myths felt to be irrational and impious a meaning which does not offend either piety or reason. We may therefore conclude that it was not men in an early stage of philosophic thought (as philosophy is now understood)—not men like Empedocles and Heraclitus, nor reasonably devout men like Eumaeus, the pious swineherd of the Odyssey—who evolved the blasphemous myths of Greece, of Egypt and of India. We must look elsewhere for an explanation. We must try to discover some actual and demonstrable and widely prevalent condition of the human mind, in which tales that even to remote and rudimentary civilisations appeared irrational and unnatural would seem natural and rational. To discover this intellectual condition has been the aim of all mythologists who did not believe that myth is a divine tradition depraved by human weakness, or a distorted version of historical events. Before going further, it is desirable to set forth what our aim is, and to what extent we are seeking an interpretation of mythology. It is not our purpose to explain every detail of every ancient legend, either as a distorted historical fact or as the result of this or that confusion of thought caused by forgetfulness of the meanings of language, or in any other way; nay, we must constantly protest against the excursions of too venturesome ingenuity. Myth is so ancient, so complex, so full of elements, that it is vain labour to seek a cause for every phenomenon. We are chiefly occupied with the quest for an historical condition of the human intellect to which the element in myths, regarded by us as irrational, shall seem rational enough. If we can prove that such a state of mind widely exists among men, and has existed, that state of mind may be provisionally considered as the fount and ORIGIN of the myths which have always perplexed men in a reasonable modern mental condition. Again, if it can be shown that this mental stage was one through which all civilised races have passed, the universality of the mythopoeic mental condition will to some extent explain the universal DIFFUSION of the stories. Now, in all mythologies, whether savage or civilised, and in all religions where myths intrude, there exist two factors—the factor which we now regard as rational, and that which we moderns regard as irrational. The former element needs little explanation; the latter has demanded explanation ever since human thought became comparatively instructed and abstract. To take an example; even in the myths of savages there is much that still seems rational and transparent. If savages tell us that some wise being taught them all the simple arts of life, the use of fire, of the bow and arrow, the barbing of hooks, and so forth, we understand them at once. Nothing can be more natural than that man should believe in an original inventor of the arts, and should tell tales about the imaginary discoverers if the real heroes be forgotten. So far all is plain sailing. But when the savage goes on to say that he who taught the use of fire or who gave the first marriage laws was a rabbit or a crow, or a dog, or a beaver, or a spider, then we are at once face to face with the element in myths which seems to us IRRATIONAL. Again, among civilised peoples we read of the pure all-seeing Varuna in the Vedas, to whom sin is an offence. We read of Indra, the Lord of Thunder, borne in his chariot, the giver of victory, the giver of wealth to the pious; here once more all seems natural and plain. The notion of a deity who guides the whirlwind and directs the storm, a god of battles, a god who blesses righteousness, is familiar to us and intelligible; but when we read how Indra drank himself drunk and committed adulteries with Asura women, and got himself born from the same womb as a bull, and changed himself into a quail or a ram, and suffered from the most abject physical terror, and so forth, then we are among myths no longer readily intelligible; here, we feel, are IRRATIONAL stories, of which the original ideas, in their natural sense, can hardly have been conceived by men in a pure and rational early civilisation. Again, in the religions of even the lowest races, such myths as these are in contradiction with the ethical elements of the faith. If we look at Greek religious tradition, we observe the coexistence of the RATIONAL and the apparently IRRATIONAL elements. The RATIONAL myths are those which represent the gods as beautiful and wise beings.